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A few myths about banned books


This image was borrowed from Melville House, where it illustrates an article referenced later in this blog post.

This image was borrowed from Melville House, where it illustrates an article referenced later in this blog post.

I just listened to an episode of the “Stuff You Should Know” podcast from howstuffworks.com from September 13 of last year entitled, “How Book Banning Works.” The podcast was inspired by Banned Books Week, and it talks quite a bit about court cases and censorship in the United States.

Unfortunately, they didn’t do their research on the fundamentals very well, and the podcast reinforces some misconceptions about what book banning really is. I’m not implying it was a bad podcast — there was a lot of good information — but they really didn’t grasp what a book banning really is and who does them. Definitions, of course, can be troublesome. There is some disagreement on what “censorship” really means, for example — or even what book banning means.

Every time I write a blog post like this one (see, for example, my tiff with Chris Kilham at Fox News over in my Tea With Gary blog), I think of Randall Munroe’s oft-referenced XKCD cartoon, “Duty Calls.” I don’t want to be that guy, but I do speak to schools about the subject of book banning and censorship, and I want to make sure that the information floating around out there is correct.

"Duty Calls" from XKCD. The mouseover text on the original cartoon reads, "What do you want me to do?  LEAVE?  Then they'll keep being wrong!"

“Duty Calls” from XKCD. The mouseover text on the original cartoon reads, “What do you want me to do? LEAVE? Then they’ll keep being wrong!”

Libraries are not the only place books can be banned.

In the podcast, they say that you “challenge” a book by going to a librarian and saying you don’t want the book on the shelves. If the librarian agrees to pull it, the book has been banned. This is technically correct, but it’s a massive oversimplification. The process doesn’t have to involve a librarian at all. As an example, if you went to your child’s English teacher and said, “I don’t want my child to read this book you assigned,” that’s a challenge. For that matter, you could go to your city council and demand that a certain book not be allowed in stores in that town. That’s also a challenge, and neither of those involve a library.

It’s usually not about the First Amendment.

The podcast also talked about libraries refusing to ban a book for First Amendment reasons. In most book ban/challenge situation, the First Amendment doesn’t even apply. Let’s take a look at the full and complete text of the First Amendment to the United States Constitution:

“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”

Notice the first five words? “Congress shall make no law.” The word “Congress” refers to the United States Congress. It doesn’t say that your local school board or city council or library board cannot abridge your freedom of speech. It refers only to laws passed by the U.S. Government.

The librarian (or the Supreme Court) makes the decisions.

Most schools and libraries have a policy in place for book challenges. Our local high school is typical. If a parent tells the school librarian that a book should be pulled, the librarian gives the parent a form to fill out. I love this particular form because it has a checkbox above the signature labeled, “I have read this book,” and a disclaimer that if you haven’t read the book, they aren’t interested in your opinions on it. Once the form is filled out, the librarian decides whether to pull the book.

If the librarian chooses to refuse the challenge, the parent can either live with it or appeal to the school principal. If the principal agrees with the librarian, the parent has the option to appeal to the school board. In a public library, the chain of command might go to the library board and then the county commissioners or the city council. Either way, it does not go directly from the librarian to the Supreme Court of the United States.

Removing a book from a library is not censorship.

The podcast used the word “censorship” quite a few times. In the immortal words of Inigo Montoya, “You keep using that word. I do not think it means what you think it means.”

(Listen on YouTube. It never gets old). Librarians make decisions about books constantly. Tens of thousands of new books are printed every month, and a typical library is lucky to have the budget to buy one or two percent of them. The librarians must decide whether books are appropriate for their particular library. Choosing not to include a book isn’t censorship, it’s their job.

That said, forcing a library to remove a book is a different thing. If a group of citizens descended upon the local library demanding that they pull my children’s books for having the word “poop” in the title, the librarian (or library board, or city council, or whomever) may just decide to go along. That, while it does qualify as a localized book banning, still isn’t censorship. People still have the option to buy those books at a local bookstore, or to read them in some other library, or to borrow them from a friend. There are still hundreds of thousands of copies floating around the country. The government has not prevented my work from being published or disseminated.

I pulled the main illustration for this blog post from an article on the Melville House website. That article decries the “censorship” in the book, The Cartoons That Shook the World, published by Yale University Press. The book talks about the protests spurred by cartoons containing images of the prophet Muhammad, and Yale Press chose not to include the cartoons themselves in the book. They had their reasons for omitting the cartoons, but I don’t see it as censorship. Let me draw a parallel.

Closed Captioning Handbook

No, I wouldn’t call that censorship.

When I wrote The Closed Captioning Handbook for Focal Press, the book went through a fairly comprehensive peer review process. One of those reviewers declared that he didn’t want a copy of the book in his office because it included a chapter with details on U.S. Patents relating to closed captioning. Owning a copy of the book, he felt, could create a situation where he was liable for treble damages if he inadvertently violated one of those patents, as he couldn’t claim lack of knowledge of the patent. My editor told me to remove the chapter. I wasn’t happy, as I had put a lot of work into those patent summaries. The publisher, however, is the one that writes my checks. I capitulated and removed the chapter. Censorship? Certainly not. That was good business, as removing that information increased book sales. The same is true for The Cartoons That Shook the World.

If a teacher chooses to pull a book from his classroom rather than fight with the parents of his students, his students can still pick up a copy of that book somewhere else and read it. The author may not like it (we love having our books in classrooms), but it isn’t censorship.

Oh, boy! My book is a textbook! That’s good news, right?


Closed Captioning HandbookWhen I wrote about this in 2011, I talked about rights reversion and what that means in an age of ebooks. Today, I’m having more of an issue with the whole way textbooks work. With two kids in college, I’m seeing my share of textbooks selling for hundreds of dollars, but the price increase on my own book was still a shock a few years back when it was picked up as a college text.

My editor was adamant when I was writing the book in 2003: keep it under 400 pages or the price of paper will make the book just too expensive. Their target price was $49.95. The final page count was 404 (snicker), and it did indeed release (in paperback) at that price. I still don’t buy the paper cost argument. My bookstore sells plenty of paperback books with far more than 400 pages for far less than $50.00, but the world of low-volume, highly specialized books is different. I get that.

Prices go up over time, so I wasn’t surprised to see the price go up to $54.95 a couple of years later. But when three colleges adopted The Closed Captioning Handbook as a textbook, I didn’t expect the immediate jump to $71.95. Now, it’s up to $74.95, and it has the dreaded word “NET” in the Ingram distribution database.

Net? What’s net?

In the retail book trade, there are a lot of publishers to deal with, and keeping track of everything would be an insurmountable task for small bookstores. That’s why we have big distributors like Ingram Books and Baker & Taylor. Stores like mine buy the majority of our books from a couple of sources because it’s easy and it consolidates shipping and billing.

Discounts are pretty standard in the book trade. For the most part, retailers get the same discount on every book at the big distributors. Sometimes, though, books are “short-discounted.” Publishers may not offer the standard discount to the distributor, or may have very high minimum purchase quantities. It’s common for print-on-demand books to be offered at only half the normal discount to stores, which is why many bookstores refuse to stock them.

But every now and then, that discount field in the database displays as “NET.” That means that the bookseller pays full list price for the book. If you go into a bookstore and order a copy of The Closed Captioning Handbook, that $74.95 isn’t what you pay, it’s what they pay. This isn’t going to be true for bookstores (especially campus bookstores) that order directly from the publisher, but few stores deal directly with technical and specialty publishers like Focal Press. Also, there are many textbook publishers that simply don’t want to deal with what’s called a “general bookstore.” They only offer trade terms to college bookstores.

Obviously, this is a big turnoff to readers. Stores can’t stay in business without a profit, but nobody wants to pay higher than retail. So what’s an author to do? We can beg readers to buy directly from us. We can find out what stores or websites stock our books at a reasonable price (as much as I hate sending people to Amazon, they do have my book available at a discount right now) and send people to them. We can beg our publishers to offer standard discounting to distributors.

And we can ask our readers: if you’re quoted a really high price on one of our books, please don’t give up on us. Take a few moments to check another source or two. We don’t have the luxury of setting our own prices or terms. Thank you!

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